Posts Tagged ‘Lens’

[Sigma 10-20 EX DC HSM] The best (ultra-) wide-angle lens

[Sigma 10-20 EX DC HSM] The best (ultra-) wide-angle lens

From ruessler

With the 10-20mm Sigma has an excellent lens in the program. It shows the other competitors in many respects, what is a rake. Of course, it also has little weaknesses, but that one sees across, if you realize what this lens has strengths.

The image quality is excellent, the sharpness is very persuasive. Only Aperture can open it blurs the edges to come, but this is for most lenses so. Everything is grayed out in the green area.

The vignetting makes Although noticeable, but is easily correctable with postprocessing. Such a lens requires postprocessing on the computer anyway, also in order to correct the distortion that inevitably occurs.

The autofocus is fast and quiet, thanks to HSM drive.

The workmanship is very good. Recently, Sigma finally establishes a proper lens cover for where you removed the front hineingreift – finally, the old lid, the one on the side abpulen had, was an affront. Also contains a lens hood and a bag of useful.

I can fully recommend this lens, because it gives you possibilities you with longer focal lengths does not have! With the beginning of 18mm focal length (29mm equivalent) you can eventually become unable to go back ;-) .

A few words about the comparison with Canon’s own 10-22mm. This is more expensive, has no lens hood at (and that you must buy is enormous) and is darker from. Especially the latter fact is similar to light the alleged weakness of the Sigma lens again.
I’ve tested both lenses and find the Sigma even much sharper!
So the choice should really be clear: Sigma 10-20mm. Of course nothing for the 5D – because there Abdunklungen that you no longer can be described as vignetting … but that’s a lens for digital times now clear.

translated from amazon.de customer review.

[Sigma 10-20 EX DC HSM] Lack of alternatives is one

[Sigma 10-20 EX DC HSM] Lack of alternatives is one of the best super-wide for Nikon D-SLRs

From Axel Polt

this is still compact, quiet and ultimately convincing lens from Sigma.

Once at Nikon currently at 12 mm is final, this Sigma with a minimum focal length of 10 mm an important gap in Brennweiten-/Objektiv-Portfolio. The angle difference is much larger than the “small 2mm difference” of the focal length would suggest, according to small-equivalent to the difference between 15mm and 18mm focal length.

Haptics and use are very good. Uncorrected distortion and vignetting are noticeable, but easily manageable today. Simply the RAWs on DxO run; both vignetting and distortion are then disappeared and these results can be truly proud of: sharp, distortion-and vignettierungsfrei and small at 15 mm equivalent. With the purchase of key for me was (like any other lens) the availability of a correction module for this lens for my two D-SLR body. This lens I almost always there, it’s my Nikon 12-24 mm almost completely replaced.

Even with this wide angle is: f 5,6 is Einstellblende, should be worked with f 8 – f 11, on the need “free hand” to stop ASA 200 or go to the tripod (any recommendation for the D-SLRs in general … )

Conclusion: the absence of alternatives (especially with regard to correction modules for DxO) currently probably the best super-wide for Nikon D-SLRs.

translated from amazon.de customer review.

[Nikon AF-S 70-300mm ED-IF VR] Wow!

From reviewer

I have a VR 70-300 today and get right on my D700 screwed. Since I knew that the image stabilizer lens that has two modes, in contrast to my 24-120 VR, and that one of them only a partial function, I thought it would be good, “Active” mode ( “active “Now is a nice word and sounds in any case better than” normal “…). I wondered then, of course, that the image stabilizer is not as great works. Like me the instructions but then taught, is “active” part of the function, while “normal” the picture is stable.

Then I made a sheet of 300mm and photographed me is almost the first heart in the pants slipped. So milky and blurred … uuuu?????h. But then I realized that at 300mm each pixel has a relatively small angle to dissolve, and that it might not be such a good idea was, through my window pane UNTRIMMED to photograph … :-)

So windows up, again photographed, top sharp!

Some tests focus on deviations were initially using Meterstab also not promising. Back Focus 5cm … oh jeh. After I then quarter hour had played around, even the AF fine adjustment of the extreme D700 had changed, but then returned to zero was fitted to the Focus suddenly exactly, and also whether the AF from infinity or from the Nahgrenze loslief. I can not say I understand, because bottom line, I’ve changed nothing. My guesses:

1) the lens was delivered by mail and had a temperature slightly above zero degrees; possible that I did so immediately after unpacking operated outside its specification have (cold motors / actuators, closer camps), maybe it was somewhere barely visible mist ?

2) perhaps had the brand new stock arriving only a little bit? Sounds strange, but who knows …

In any case, then my further tests extremely well. The lens has to test images at 300mm very easy pincushion, a little less than the 24-120 VR at 120mm. Surprisingly, I found that at the short end at 70mm NO apparent distortion occurs. Chromatic aberration, or color bleeding on the edge you can see, but only at magnifications above 100% clear, and only when a test image with white lines on black background. In “real” motives should be the color bleeding hardly notice unless you have eagle eyes. It has already been repeated by some people pointed out that only the current technology (> 100% magnification on the PC) is absolutely regular laymen allows lens to detect errors!

The lens is approximately 700g also very easy for its focal length range, which is more likely to shake badly, but for less critical inhibitions sure the lens is even more to use. I had before even considering buying the Sigma 150-500 to take, but about two pounds in one lens for my taste is already hard on the border of self-punishment, YMMV.

The image stabilizer is especially useful when a tele like this is remarkable when you consider how bad the picture for a long focal length without VR can tremble.

I wish to highlight even further the low price in relation to the outstanding performance to justify 5 stars. Who needs high precision (and also with the naked eye can see, or, in practical operation can meet), which will probably be a pro lens like the 70-200,2.8 access. For depth you need in any event no open aperture 2.8, unless you’d like ants optional. Maybe 2.8 will help a bit even when auto focus, who knows.

Now I have but a small fly in the ointment: the close focus of 1.5 m hurt something. Perhaps I would indeed low distortion at 70mm like to use for head portraits. Does not stop. But the Canon 500D Nahlinse is indeed a good buy, to a tele in a macro to convert. You need only a suitable adapter ring from 77mm to 67mm lens.

But overall I’m after my first tests, I also have taught that the greatest error image sits behind the camera with the 70-300 on my D700 themselves fully satisfied and do not feel its potential to have given away. If still horse feet occur, are published here.

Addendum: the positive imaging performance unbelassen (the experiment with Canon Nahlinse was also very good), but I find it easy unangenehn that the lens when extended to 300mm hisses luftpumpenm??ig something (which is probably more often occurs in telephoto zoom), and somehow quite hohl sounds like an empty Coladose. Is not really bad, but I think there is content but the relationship with the selling price on. Just so no one in my review of disappointment falls prey …

translated from amazon.de customer review.

[Sigma 10-20 EX DC HSM] just good.

By Christian Graupner

First and foremost, should have a lens interested in this photographer in mind, whether this extreme wide angle ever needed.

Knipsen lot of thought with a picture angle of about 100 degrees delivers guaranteed boring, bland photos.

This advance now to the optical quality of these optics:
My first test object was the Tamron 11-18 mm, which is an acceptable sharpness and is also a satisfying contrast range has to offer, but the distortion of straight lines, also in view of the large angle of view, absolutely unacceptable.

The Sigma 10-20 mm makes straight in this respect almost unbelievable.
Also photos of geometric objects offer even at the lowest focal length in terms of quality sharpness, contrast and level of distortion that even the twice as expensive Nikon 12-24 mm must dress warm …

Also the mechanics provides no reason to blame, the processing, the materials used and the mechanical functions are flawless.

All in all, get the customer interested here is a very good lens to a more than fair price.

translated from amazon.de customer review.

[Sigma 10-20 EX DC HSM] It no longer wants to

[Sigma 10-20 EX DC HSM] It no longer wants to miss.

From ruessler

I can not agree with my speakers. This is Objelktiv everyday. No, I want it now not to miss anymore. Because who needs a more wide-angle zoom without end, you will find here the ideal lens. My standard with a 18mm focal length at the beginning is now gathering dust in the cupboard …
The 15-30mm provides otherwise no other. As one would have to have to go Canon, which have a 10-22mm – which costs the same and much more …

The images are sharp with the Sigma and brilliant. You get a lot more up. Obviously the limitations of an objective with this focal length in mind – the distortion at the edge is actually very strong. If you do not have objects at the edge (especially round reported strong) does not matter. There are no ultra-wide-angle lens, which is free from distortions.
The blurring at the edge occur only in close attention to objects. It may be linked to the notorious serial scattering are …
In addition, however, is positive to note that the chromatic Aborration with this lens is very low, which is another in this class is not always the case.

The autofocus is fast and precise. Thanks anyway ultrasonic motor and still fairly quiet.

Negative to evaluate, there are only a few points. For one thing, the lens is really not very lichstark … continue vignetting is always available, as is also a DC lens for digital cameras is. On an analog camera or a Full, there would be ugly black borders. Generally it is advisable to F / 8 abzublenden, as there are subjective, the best sharpness and vignetting is still bearable (in general this problem can be tinkering with a photo – it recommends itself because of the Verzeichnungskorrektur, to work with RAW). Moreover, the processing of something cheap – which, however, on so many expensive Nikkor true! – And the lens cap can be away. He jumps constantly and is difficult to summarize because no grip – especially in a negative lens hood attached.
Practically, however, the stable pouch for the lens.

Conclusion:
Who knows he just needs this focal length range, is now best served. It is a good alternative to the well twice as expensive 12-24mm Nikon, the 12-24mm Tokina of which only rod-AF offers, like how the 11-18mm from Tamron, and it is cheaper and lighter and smaller than the 12 Sigma 24mm-by himself, which anyway, especially for Full or analog cameras designed.
Whoever is working with RAW, knowledge about the imaging features and the weaknesses of the objective note is hereby designated an ideal tool for finding images that otherwise would not have been possible, since you do not always take a step back, especially if house walls in the way .

Another tip for all:
Must after purchase Sigma register! So there are 3 instead of 2-year warranty.

translated from amazon.de customer review.

[Nikon AF-S 70-300mm ED-IF VR] Landscape to Portrait Photography -

[Nikon AF-S 70-300mm ED-IF VR] Landscape to Portrait Photography – Everything is possible

by Lutz Ludwig

Short to me and the test of the lens.
Pictures for 30 years, specialty areas – Event – Animal – Landscape – eroticism.

Since I needed a second camera, which now for the first camera was when I landed Nikon – Nikon D200 and lenses 18-200 VR & 70-300.

The most important thing to first: All my customers have been extremely satisfied with the outcome image!

Now for the lens;
+ Super processed and relatively difficult ca.750gr.
+ VR (Verwacklungsschutz)
Aperture 4.5 + at 70 (each lens has its strengths at 2 Apertures Dimmer)
+ Minimal vignetting at the margin (fotogafiert who already have a white wall for displaying the vignetting?)
+ 75 to 300 razor-sharp images even when light conditions wiedrigen
+ Universal lens (no lens shift, and thus no threat to the dust-sensitive sensors and low-pass filter)
+ Portrait photography with excellent Kontorhaus Figure (70 -100 ideal)
+ Landscape photos in color or in class 300)
+ Animal photography awards, thanks to the great distance you can use
+ Ideal for D200 from Nikon

- Only protective pouch no fixed lens Quiver
- Too heavy for Nikon D40 and D80 (small camera) is very Objektivlastig – but still super image quality

Despite all the 5 stars
photograph has almost exclusively with the VR 18-200 & 70-300

translated from amazon.de customer review.

[Nikon AF-S 70-300mm ED-IF VR] Good middle class

From Meister (Germany)

I can fully speaker to vote, what are handling and processing. Up to 200mm, it is absolutely top, also makes the performance a bit, but is still fully everyday. Recommendable, I think this lens for people, which the 18-200 in the telecommunications sector is poor, the 2.8 / 70-200 and 80-400 is too expensive and too difficult or are an ideal complement to their standard search. Unfortunately, Nikon also collects here (like the 18-200 and 24-120), a princely award for the image stabilizer, because the know that it works well and the photographers are ready to take advantage of a “stabilized” lens in the deep pocket to grasp.

Two things I must still get rid of:-bildstabilisierten lenses with a tendency to longer exposure times than usual, but then that leads to motion may blur the scanned object. The VR compensates only the restless hand movement by the photographer or the photographer, but not the movement as abzulichtenden the person! -before you turn off the camera, the lens should be VR off, otherwise rattle the item may be loose around. Wishes now have fun with it.

translated from amazon.de customer review.

[Sigma 10-20 EX DC HSM] Impressively

Let me first say that I am not a professional photographer or a lover with plenty of experience. I could not know everything there is to know about photography, but what I know is that I understand what happens in this light.

I was satisfied with the quality of construction (as I have my goals with unseine series ESigma X) und the first tests have shown that the autofocus is fast, precise and very quiet. This may not be a surprise for you with a bag full of lenses Canon L USM, but the consumption of the lens was a revelation.

I was very surprised by the width of 10 mm is a 1.6-crop camera (such as weapons and xxd xxxD lasts). I could almost to the questions and still managed to all parties involved in. raggiungerezioneextr?mengulos The effects of distortiontion, but the photos in my opinion.

The true joy is, however, when I returned from my first salidaci?n and began to sort the images. The colors are fantastic, the pictures were, without exception, very high and the possibilities for creating a lens, large images are far more than the usual “snapshots” of a photographer who produces my size.

Ultra-Wide Zoom hCanon echo can be better, and I have no doubt that with einer camera quality can lead to better results, but at this price, I can not find fault in the supply of Sigma.

[Sigma 10-20 EX DC HSM] Geniale effects – in everyday

[Sigma 10-20 EX DC HSM] Geniale effects – in everyday life unfit.

From “gehlen17″

Pro: effective distortion, wide for the largest DSLR, little distortion, good price, Polfiltereffekt
Counterpoint: average processing, heavy use, hardly suitable for everyday, light blurs the edge

The Sigma 10-20mm is a super wide-angle lens attached to a Nikon camera the effective focal length of 15-30mm reach. In the amateur field, there is no time to DSLR lens with a wider viewing angle. This not only fits on the photo: Objects at the edges are extremely distorted, exaggerated distances. Due to the angles can assign things that are not next to each other (hint: hold camera top). In addition, the thick glass like a polarizer. The sky is bluer, strong colors, reflections remain preserved.
Such effects have their price: Lightweight Randunsch?rfen are measurable, but hardly visible. Moreover, people rarely distorted flattering off (except for longer legs girlfriend).

In everyday life, the lens is used less often disappears in the foreground in a huge background. In tight spaces the lens on the other hand, is indispensable: Close shops, churches and entire cockpit can be on a picture to hold.

The processing is average, because plastic has been used exclusively. The HSM Autofocus is fast and quiet.

Conclusion: Who impressive images make and take time to experiment, get a good lens at a fair price.

translated from amazon.de customer review.

[Tamron 18-270] Very good compromise

From Regina K?rolyi

Actually I already knew very well what I wanted: a light strong telephoto lens, not too heavy because I usually would use without a tripod – so please also image stabilization – I had to make it to me, that is, a price about three medium, it should already be close to 300 mm and of course please also provide good images.

And because of my field, forest and meadow Safaris then not only wanted a focal length, it had a decent zoom lens to be.

In short, as I turned and turned, “my” lens does not exist, it had to compromise her – just the Tamron. ‘m Not a professional.

Strong light, it is not necessarily, but in my experience makes it well with Aperture 6.3 at 270 mm and overcast skies perfectly good recordings. The weight bothers me not one bit, not even the difficulties: So far as the part of the driveway can be as well-something to be resistance, so it does not by itself “slipping”.

The wide-field advantage, I hardly can not judge him. The images in the middle, I think, expressed that it is an act Superzoom, great, and even at 270 mm, I have a very beautiful animal and plant photos. Above all, I come so get as close to wild birds that have really good shots that are possible.

With my EOS 50D, I have little notes of color bleeding, even in the outer area of telecommunications. The distortion I think that’s not serious. The reviewers who complained about minor Kontraste complain, I must legally, but as a non-professional can do with this degree and still live well if necessary to carry out imaging.

The stabilizer is effective and useful, the beautiful Bokeh, the lens is quite handy in total. Unlike Canon is the lens hood already included – great!

This lens is a bit of the “eierlegende Wollmilchsau” for aspiring amateur photographers, the one single lens for various applications like: Landscape and the like, as well as almost all sizes of animals, plants, and portraits. For any single application of the optimum product, but a really good compromise!

translated from amazon.de customer review.

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